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| | Although Bobby Shew, Ronald Muldrow, Dan
Pinson, Gil Scott-Herron and Phil Driscoll are not affiliated with Parker's Jazzworks, we felt the
obligation to host them on this site because of their contributions to
music and their willingness to advise and share knowledge with us.
This
CD is a contemporary Christian music album utilizing several styles such
as Pop, Traditional Gospel, Reggae, Smooth Jazz, Classical and Straight
ahead Jazz. The audio track (The Second Coming) is a straightahead jazz
piece featuring Richard D. Parker on Tenor sax, Bass and Drums, Martha
Parker on Keyboards, Christopher Washington on Guitar. The Sax lead was
done in a style reminiscent of Dexter Gordon.
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Born
in Tuskegee, Alabama, John Henry (vocals, guitar) has easily found
inspiration to sing the blues. Relocating to Boston, he got his first
taste of the blues stage at the age of 17, playing in the city's
thriving blues scene. He later went back to Alabama to hone his skills,
making frequent trips to Memphis' Beale Street. After serving four years
in the military he embarked on a world tour playing his blues as far as
Korea, Japan, Portugal, Germany, Italy, Bahrain and Panama. He has
performed with such blues greats as Luther Allison, Louisiana Red,
Buckwheat Zydeco, Michael Coleman, Katie Webster, L.A. Jones and John
Mooney
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When
you listen to this album you will realize that there is a lot of
diversity in the sound of this group. With Johnell Dickerson's
gravely voice and pulsating bass lines, David Allans
screaming guitar and Richard Parker's
Chicago style horns, they have created the uncommon. The fusion of
blues, rock and jazz musicians to create a sound that drives hard and
has a jagged edge to it. They got together out of need for expression
and just played what they felt, and hope others like it.
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Bobby spends a considerable amount of time actively involved in the
educational system, conducting clinics and master classes at high
schools and college campuses all over the world. Bobby has also been
active on the Board of Directors of the International Trumpet Guild, and
has acted as National Trumpet Chairman for the International Association
of Jazz Educators
for 16 years. He authors numerous articles of educational interest in
various trade magazines, all translated into several languages for
worldwide distribution. During a period of traveling to New Zealand,
Bobby acted as host for a weekly TV show entitled Just
Jazz
and has been in numerous artist-in-residence situations virtually all
over the world. He has even had a few minor acting roles in movies and
TV shows. He continues to tour internationally and to produce and record
excellent music. He has released several recent albums for the MAMA
Foundation including Playing
With Fire (w/Tom Harrell), Heavyweights
(w/Carl Fontana), and Salsa
Caliente. In addition, for other labels, Bobby has released the
highly regarded CD recorded with the
Metropole Orchestra, and a double-CD set for Seabreeze Records
of The Music of
John Harmon, plus other which can be seen on the Discography
page.
Guitarist
Ronald Muldrow seems to run two musical lives. Theres
his international recording star persona, in which the guitarist has
been heard with the likes of pianist Mulgrew Miller, drummer Yoron
Israel, vibraphonist Steve Nelson, bassist Peter Washington and other
glitterati. Then theres
Muldrow the bandleader, the guy who presents those fascinating
combinations of musicians in L.A., his current hometown. ..While much is
made of Muldrows
Wes Montgomerys
influence, the guitarist also claims the tradition of Kenny Burrell,
Grant Green and Phil Upchurch as his own.. . If you like the bumpin
style of Wes Montgomery, Muldrow both live and recorded is your man
Bill Kohlhaase LA Weekly
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Contemporary
Jazz and Latin rhythms collide when Dan and his Jazz'tet take the stage!
They deliver a program of hot Straightahead, Latin and Contemporary
Jazz, appealing to Jazz aficionados of all tastes. Whether playing
soprano, alto, or tenor saxophones, flute, piccolo, or clarinet, Dan
delivers an unforgettable musical experience!
Dan has appeared with and opened for a wide variety of artists,
including Stevie Wonder, Kenny Loggins, Jay Leno, Spyrogyra, Gato
Barbieri, Jeffrey Osborne, Richie Cole, Gerry Mulligan, Pete Jolly,
Freda Payne, Keiko and Kazu Matsui and Latin music star Selena. He has
also appeared with the Arizona State University Orchestra and Scottsdale
Symphony Orchestra. He has performed in the U.S., Europe, and Mexico in
jazz clubs, festivals and schools and appeared on television and radio,
including a feature on Public Radio International's "Whaddaya.Know
with Michael Feldman."
As a Faculty Associate at Arizona State University and Roster Artist
with the Arizona Commission on the Arts, Dan has a firm commitment to
Jazz education. In addition to concert performances, he gives
lecture/demos, leads student workshops and provides master class and
residency services.
His background includes training with jazz and classical music
educators Eric Kloss, George Cables, Gary Foster and Jack Ratterree.
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Born
in Chicago in 1949, Gil Scott-Heron became one of the first recognized
developers of Rap Music with a political viewpoint, Gil became a mouthpiece
for the African American during the Seventies and Eighties. Gil
was the son of a Jamaican professional soccer player and a college
graduate mother who worked as a librarian. His father played for the
Scottish football team, Celtic. Both parents divorced while Gil was
still a child and he was sent to his grandmother in Lincoln, Tennessee.
His grandmother helped Gil musically, however, early racial
tensions at school, in Jackson, led him to relocate again to the Bronx
during his adolescent years to live with his mother and he later moved
again to the Spanish neighborhood of Chelsea. At the age of 13, Gil had
already written a book of poetry. Gil attended college in Pennsylvania
and then left to concentrate on writing his first novel entitled The
Vulture
in 1968. He met Brian Jackson while attending collage, who later to became a
long time musical collaborator.
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Phil Driscoll has recorded more than 30
albums and CDs. His award winning music is anointed and powerful.
Today utilizing his state of the art recording studio the momentum of
that musical ministry continues... Born out of MightyHorn Ministries for
the sole purpose of creating and distributing anointed music, MightyHorn
Records is the vehicle that is taking the music to the world.
In the making of music for Jesus Christ, there
is no shortage of talent or God called artistic people. There is simply
the lack of a proper vehicle to get the music out. In the Christian
music industry, many have replaced desire for the anointing with the
pursuit of an award or mens applause. It is imperative that we create
a new wine skin
a new vehicle. Its success will not be measured by hit
records or by millions of sales, but by souls won.
Phil Driscoll
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